Sony Pictures Classics picked it up before it even premiered, and it was met with mixed reviews at the festival.

Seven years later, “The Hollars” didn’t make much of a dent either. Despite a cast packed with indie names – including Julianne Nicholson, Chris Messina, Will Arnett, Will Forte, Bobby Canavale, Rashida Jones, Christopher Meloni, and Krasinski himself (smack in the middle of his run on hit show “The Office”) – the film made less than $35,000 at the box office. When IFC Films released “Brief Interviews with Hideous Men,” based on a short story collection by Wallace, it landed with a thud. Neither made much of a mark at the box office. His first two films, “Brief Interviews With Hideous Men” and “The Hollars,” both debuted at Sundance (in 20, respectively), where each was picked up for distribution by lauded indie outfits. Krasinski wasn’t just in the market for a challenge, he was in the market for a change. “It’s super unique idea, and he wanted that sort of challenge.” “I thought, ‘Wow, that’s a pretty damn good one-liner.’ And when I read the script the idea was even better.”įor Blunt, “it’s a really ambitious idea and he was drawn to that,” she said. “And then they said, ‘Well, what if it was a cool idea? It’s a movie about a family that has to be quiet and you have to figure out why,'” he said. Krasinski was initially approached to only star in the film, and when the team at Michael Bay’s production company Platinum Dunes tried to gauge his interest in making the jump to genre, he proved to be a bit of a tough sell. Those who have survived – like the film’s central family, which includes both Krasinski and his real-life wife Emily Blunt, alongside young actors Millicent Simmonds and Noah Jupe – have only done so after learning the hard way that the monsters use their hearing to track their prey. “A Quiet Place” takes place in the distant future, after an alien invasion has seemingly wiped out much of the human population. Emily Blunt Says Tom Cruise Told Her ‘Stop Being Such a P*ssy’ Over Heavy ‘Edge of Tomorrow’ Costumeįor Krasinski, that way in was a clever concept, one cooked up by indie screenwriters Bryan Woods and Scott Beck, who had been noodling with the idea of a near-silent horror movie for years.

Brief conversations with hideous men